pip (practice in practice) conceives of art as an open-ended, processual act that emerges through action, reflection, and context. At its core lies not the completed work, but the dynamic interplay of methods, materials, and interactions. Art is understood as a performative process situated within social and material contexts, perpetually in flux. pip creates a space to render these processes visible, to reflect upon their conditions, and to foster interdisciplinary approaches.
pip (practice in practice) versteht Kunst als offenen, prozesshaften Akt, der durch Handeln, Reflexion und Kontext entsteht. Im Mittelpunkt steht nicht das fertige Werk, sondern die Dynamik von Methoden, Materialien und Interaktionen. Kunst wird als performativer Prozess begriffen, der in sozialen und materiellen Zusammenhängen stattfindet und sich ständig wandelt. pip schafft Raum, um diese Prozesse sichtbar zu machen, ihre Bedingungen zu reflektieren und interdisziplinäre Ansätze zu fördern.
Türkenstraße 21
80799 Munich
Open daily until 7 pm.
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oogschaduw
with Maximilian Helk, Anna McCarthy
text Julian Arayapong [read here]
open from 13 June → 1 July 2025
opening 12 June 2025 from 6 pm
© Andreas LechInstallation View, Maximilian Helk, Anna McCarthy © Julian Arayapong, Courtesy of the artistsMaximilian Helk, Der schwarze Ritter mit dem roten Schild (2024), 160 × 145 cm, Graphite and watercolor on coarse artist’s linen © Julian Arayapong, Courtesy of the artistAnna McCarthy, Left to right: Pylon Hangout (Lunchbreak), Pylon Workers (Electricity Beneath the Sea), Pylon Worker (Flower Mouth), Pylon Worker (Flower Girl) (2024), 42 × 30 cm, Pencil on paper © Julian Arayapong, Courtesy of the artistInstallation View, Maximilian Helk, Anna McCarthy © Julian Arayapong, Courtesy of the artistsAnna McCarthy, Kitchen Shadowbox (2021), 46.7 × 60.5 cm, Acrylic and colored pencil on wood © Julian Arayapong, Courtesy of the artistMaximilian Helk, Der Seher (2023), 60 × 40 cm, Graphite and watercolor on coarse artist’s linen © Julian Arayapong, Courtesy of the artistMaximilian Helk, Der Senator (2023), 38 × 28 cm, Graphite and watercolor on coarse artist’s linen © Julian Arayapong, Courtesy of the artistAnna McCarthy, Pylon Workers (Electricity Beneath the Sea) (2024), 42 × 30 cm, Pencil on paper © Julian Arayapong, Courtesy of the artistAnna McCarthy, Pylon Hangout (Lunchbreak) (2024), 42 × 30 cm, Pencil on paper © Julian Arayapong, Courtesy of the artistMaximilian Helk, Die Nische (2023), 40 × 30 cm, Graphite and watercolor on coarse artist’s linen © Julian Arayapong, Courtesy of the artistAnna McCarthy, Vision Times (Ghost Birds) (2023), Charcoal, acrylic, paper, fake pearl earrings, newspaper, wire, stainless steel, debris on vinyl, 270 × 135 cm © Julian Arayapong, Courtesy of the artist